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The chemistry between Nas and Damian Marley is palpable, and they complement each other perfectly. Unfortunate, because Distant Relatives is much too good to be ignored. Maybe because this is a collaboration or because it’s a fusion of musical styles and not 100% Hip Hop, this genre-blending gem is often forgotten when Nas’ work is discussed. Distant Relatives is aging really well and sounds as timely and timeless today as it did the day it was released. Distant Relatives is a seamless fusion of Hip Hop, Reggae, Dancehall, and African musical elements, with uplifting afro-centric vocals about freedom, family, spirituality, and ancestry.Īt 65 minutes, Distant Relatives offers both quantity and quality – all killer, no filler. Nas & Damien Marley – Distant Relativesĭistant Relatives is a collaborative studio album by Nas and Jamaican Reggae vocalist Damian Marley, the legendary Bob Marley’s youngest son. Anyone with an interest in quality music with substance will like, if not love this melancholic masterpiece.ģ. From start to finish, this is a masterpiece of music (not just Hip Hop).

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He calls himself the Emo Premo on one of the tracks, providing lyrics that should shame most full-time rappers.ĭeath Is Silent is one of our favorite albums released in 2010, a true musical gem in a world full of fake thugging, bling-bling, dumb-ass b.s. But even if Kno will always be a producer before he is an emcee, he can carry an album on the microphone as well. Of course CunninLynguists colleagues Natti and Deacon The Villain make appearances, as do regular collaborators like Tonedeff and Substantial. This is an album to zone out on, to press play and let it run from start to finish – no need to skip anything, there are no fillers tracks and no stupid skits. The whole album has the same feel, without ever sounding monotonous. “Loneliness”, “Rhythm Of The Rain”, “Spread Your Wings”, “Graveyard”, “I Wish I Was Dead”, “They Told Me” and “The New Day” are all highlights, but this album’s strength is its consistency.

The production on this album is nothing short of spectacular, and the beats and the stories blend together like gears on a machine. In 2010 the CunninLynguists producer released Death Is Silent: a solo album on which he also accounts for a large part of the lyrics. On the four CunninLynguists albums preceding this project, Kno already amply proved that he can put a big stamp on an album in terms of production.